while, for example, the "32 bit float" you will find into Wavelab is the truly good one which is able to handle audio informations into a dynamic range from around -800dB (or perhaps even a bit below) to around +737dB before reducing the "useful" resolution to less than 24 bits which is the 100% full dynamic range of a 32bit float format or to actually get any digital clipping into the file itself. but which kind of 32bit file? there are several different kinds of 32bit files, both fixed and floating point ones. but the above thing is, IMO, a serious issue and not only a "small" difference compared to a true audio software, even if a reduced version.Īnother thing which always left me doubtful regarding Audacity is that a standard 24bit file is handled/seen as 32bit. i don't know if this "16bit only" issue in Audacity is related only to the realtime playback or also to the exported file, since i never ever dreamt of installing it on my PCs, then i never tried it directly. I got a few microcassettes and SVHSC, but i'll see that later. Video is 720×576 25i MJPEG2000 compressionīut before to do more, i need to find a good way to desinterlace while keeping both fields with full resolution.ĬDs are already digital, but i got them transfered too by computer, with DBpower amp, directly in FLAC, with the original bitrate. VHS and SVHS are played on a JVC HR S-5965īoth signals runs through a Panasonic mixing table wich have a Time Base Corrector I also digitze VHS, SVHS and 8mm video tapes, using a Terratec key. Vinyls are 45rpm first, maxi 45 and 33rpm will be done later. Then i add the tags, name of artist, title of the song, number, year and they got archived on HDDįor the cassette i do first the commercial cassettes, i'll do later all that i've recorded off radio. When this is done, they are converted to FLAC level 8 The long files are manually cut into individual files per song. ( As i use no preamp for vinyl, i use the RIAA curve correction on Audacity ) Software is Wavelab, it is good enough to do the job. Especially at this price point.īoth signals goes into an Edirol FA-66 soundcard I'm a big fan of Focusrite's stuff, even at this price point. Playback is simpler, as output from the Scarlett goes directly to the amp as I have enough inputs on it to accept all my source devices. From there, the signal sees the computer and Amadeus. Anyway, for recording records, it's run the turntable through the integrated amp to the Mackie, which feeds both my reel to reel and my Scarlett interface. That's not because of the digital conversion but because my Ampex ATR-700 and Revox PR-99 both use balanced inputs with the lower signal levels common in professional gear. It's a little more complicated on the stereo system as I've inserted a small Mackie mixer between the integrated amp and the recording devices, kind of like a Y-cable, only with controllable gain. Workflow is pretty simple in the studio - output from busses one and two on my Tascam mixer go to line in on the Pro 24 interface and my software is a Mac only shareware offering called Amadeus, as it is capable of capturing at whatever rates the hardware is capable of delivering. I know, I know, they're only 10 feet apart, but I got tired of schlepping wires back and forth. I'm very happy with all of my 24/96 files digitized with either a Focusrite Pro24 interface in my studio or the Scarlett 2i2 I have installed in the stereo system. While not as hi-rez as what I actually create and listen to, it will give you an idea. You can easily (with one click on the button “Uninstall” within Revo Uninstaller Pro) use these logs to uninstall programs from your computer.I have some 320 kb mP3s linked to my blog listed in my signature. It is a database of traced logs of installed programs stored on our web site prepared and maintained by Revo Uninstaller Pro’s team.
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